One of our best stories yet! Christopher and Francisco send this wonderful email and photos:

Pam,

I have enjoyed your blog for so long. It is an endless source of inspiration in the restoration of our Philadelphia row home. Soon after we moved in, we met our neighbor Nora, an 89 year old widow with a passion for clothes, make-up, and MCM. Her home is immaculate. The kitchen, probably remodeled in the 60′s, has beautiful pink formica counters, wood cabinets, a Caloric wall oven, and a secret wall compartment for the paper towels.

Nora’s favorite color is pink and her husband’s was blue. He remodeled a former bedroom into a large master bath using both colors. Nora is one of thirteen children. She grew up in the three bedroom house across the street. “The bathroom was the size of a phone booth,” Nora always says. Her husband Pete made sure she had the bathroom of her dreams.
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We have many more pictures of Nora’s home and our own remodel. I look forward to sharing these with you. We love our pink bathroom and our retro kitchen. We are currently refinishing a set of metal Geneva wall cabinets and putting a new shine on our light blue 1950′s VCT floor tile. It is a pleasure to share this with you. Thank you so much.

To view slide show, click on the first thumbnail, and move forward or back via the arrows below each image.

Thank YOU, Christopher & Francisco. I can’t even express how happy this story makes me. One of the things I love the best THE best THE BEST about our mid century homes is the fact that their original owners are still around to tell us their stories … and to share with us their immense gratitude at having these homes — even the smallest among them. Tell Nora, thank you so much for sharing her story with us! And my GOSH, she looks fantastic. See how that pink bounces off your skin and makes you all glowy? Or — in this case — I think the glow is coming from the inside.

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We know about taking the road less traveled. To me, doing things the hard way has the same allure. The hunt for the perfect estate sale light fixture, the set of vintage cabinets that are just right, the document wallpaper that pulls things all together.

Honestly, the reason this blog even exists is that after completing big projects, I had so much info in my mental hard drive about the retro renovation alternatives available — all obsessively and endlessly researched — that it seemed a shame to simply be done with it when my projects were completed.

But the dangers of the hard way came into focus this week, when I pulled Palm Springs Stephan into the vortex.

A week ago Friday night I spotted the brand new, mint in box, never installed set of circa 1958 bathroom fixtures in this exact photo, on a forum. They’d just been posted. Hot! I happened to be emailing a bit with Stephan, and knew he was working on a bathroom reno.

Long story short, he was very excited about the prospect of pink fixtures and spent hours back-and-forth with the seller in Cheyenne, Wyoming, trying to certify the exact color, before he sent a certified check. Hours with a tile store to coordinate tile. Planned to switch the plumbing. Worked out shipping. At one point thought it was a done deal. Ultimately, though, the color didn’t pan out for him, and it’s back to plan A.

The moral of the story is — I guess — to know thyself. If you really truly want very special retro finds to complete your renovation vision, it’s gonna be a roller coaster. Requiring patience, tenacity, and a belief that once you put your vibes out there, the retro decorating gods will send you what you need. If you think that sounds fun — so then, will be doing it the hard way.

P.S. Anyone within driving distance of Cheyenne, Wyoming, interested in a set of brand new, mint in box, never been installed Crane bathroom fixtures? Tub, toilet with really cool seat, sink with chrome legs/towel bar, lav faucet, tub faucet. $1000. Email Gary, who seems very nice and appreciative of them, at: [item sold]. He can give you the whole story, which begins in North Dakota.

Oh yeah. They’re not really pink. They’re beige. Or taupe. Or a sandy pinky beigey taupe. Something like that. Buckle up.

This post was originally published Dec. 9, 2007, then again on Jan. 4, 2008.

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This is a RetroRenovation rerun originally published Nov. 9, 2008.

10. Camp sees everything in quotation marks. It’s not a lamp, but a “lamp”; not a woman, but a “woman.” To perceive Camp in objects and persons is to understand Being-as-Playing-a-Role. It is the farthest extension, in sensibility, of the metaphor of life as theater.

- Susan Sontag, Notes on “Camp”, 1964

Dan the Man at the Houston Architecture Info Forum recently linked to RetroRenovation.com with the following comment:

Here’s a neat blog on mid-century residential design. It tends towards the kitsch, but it recommends many resources and materials for appropriate renovations…

While I am truly grateful for the reco, I found myself reacting harshly at being called “kitsch” and the disparaging connotation. Hmmm. So what is kitsch…and should I care at being lumped in? I went over to Wikipedia to study etymology…

Of course, there was lots of discussion about avante-garde art and capitalist oppression of the masses… as expected. What really caught my attention, though, was this PostModern update, which to my mind,  confirms that this blog is not kitsch – it’s camp. Of this – I am proud!  Here’s more explanation for your Sunday Magazine reading. Warning: please caffeinate first, this is very “deep”:

With the emergence of Postmodernism in the 1980s, the borders between kitsch and high art became blurred again. One development was the approval of what is called “camp taste” – which can be related to but is not the same as Camp as a “gay sensibility.”^[2] Camp, in some circles, refers to an ironic appreciation of that which might otherwise be considered corny, such as singer/dancer Carmen Miranda with her tutti-frutti hats, or otherwise kitsch, such as popular culture events which are particularly dated or inappropriately serious, such as the low-budget science fiction movies of the 1950s and 60s. A hypothetical example from the world of painting would be a kitsch image of a deer by the lake. In order to make this Camp, one could paint a sign beside it, saying “No Swimming”. The majestical or romantic impression of a stately animal would be punctured through humour; the notion of an animal receiving a punishment for the breach of the rule is patently ludicrous. The original, serious sentimentality of the motif is neutralized, and thus it becomes Camp. Kitsch is never ironic. “Camp” is derived from the French slang term camper, which means “to pose in an exaggerated fashion.” Susan Sontag argued in her 1964 Notes on “Camp” that camp was an attraction to the human qualities which expressed themselves in “failed attempts at seriousness,” the qualities of having a particular and unique style and of reflecting the sensibilities of the era. It involved an aesthetic of artifice rather than of nature. Indeed, hard-line supporters of camp culture have long insisted that “camp is a lie that dares to tell the truth.”

More… on Susan Sontag and her role in all of this:

“Notes On “Camp”” is a well-known essay by Susan Sontag organized around 58 numbered theses. It was published in 1964 and was the author’s first contribution to the Partisan Review. The essay created a literary sensation and brought Sontag her first brush with intellectual notoriety. It was published in 1966 in book form in Sontag’s debut collection of essays, Against Interpretation (ISBN 0-87052-352-X).

The essay codified and mainstreamed the cultural connotations of the word camp, and identified camp’s evolution as a distinct aesthetic phenomenon.

Quotations

Indeed the essence of Camp is its love of the unnatural: of artifice and exaggeration. And Camp is esoteric — something of a private code, a badge of identity even, among small urban cliques.

9. Camp taste draws on a mostly unacknowledged truth of taste: the most refined form of sexual attractiveness (as well as the most refined form of sexual pleasure) consists in going against the grain of one’s sex. What is most beautiful in virile men is something feminine; what is most beautiful in feminine women is something masculine.

10. Camp sees everything in quotation marks. It’s not a lamp, but a “lamp”; not a woman, but a “woman.” To perceive Camp in objects and persons is to understand Being-as-Playing-a-Role. It is the farthest extension, in sensibility, of the metaphor of life as theater. [ Yes!]

18. One must distinguish between naïve and deliberate Camp. Pure Camp is always naïve. Camp which knows itself to be Camp (“camping”) is usually less satisfying.

41. The whole point of Camp is to dethrone the serious. Camp is playful, anti-serious. More precisely, Camp involves a new, more complex relation to “the serious.” One can be serious about the frivolous, frivolous about the serious. ["Yes!"]

44. Camp proposes a comic vision of the world. But not a bitter or polemical comedy. If tragedy is an experience of hyperinvolvement, comedy is an experience of underinvolvement, of detachment.

[Update: Dan the Man actually saw this post and emailed me to say he kind of just used the term casually. No insult intended. In any case, it was fun to explore the difference between camp and kitsch...]

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