Link love thanks also to Shooting LA Photography, who sent us high resolution photos — which allow us to “zoom in” on some of the home’s unique features. And mega thanks also to Facebook tipster Pam, who saw this house featured on Curbed LA last week and brought it to our attention. There were a few other tipsters, too, thank you, all, and keep the time capsule tips coming, they are eye-popping amazing.
From the listing:
- Price: $1,595,000
- Year built: 1954
- Square footage: 2,463
- Bedrooms: 3
1st time on the market in over 50 years this stunning mid-century masterpiece built by acclaimed architect Albert P. Martin, AIA is situated on a 9000+ sq. ft. upslope lot with commanding views of the reservoir. Featuring just under 2,500 sq. ft. of living space with 3 beds, den and office, 3 baths, large living room with wrap-around deck, dining room, period kitchen, giant family room or workshop, cork floors, floor-to-ceiling glass, outdoor patios, 2 car garage on a very generous lot. Incredible period details throughout the home remains intact from textured tile to the appliances. This beautiful & unique time capsule awaits your personal touch and finishing vision. 2 fireplaces, laundry inside, great storage & great light throughout. Absolutely dyno-mite pad with groovy vibes – this never before seen generational home is a true prize in the cracker-jack box of L. A. real estate. Steel beam construction with no load bearing walls. Adjacent lot available.
Brian Ades told us that the house was originally built on two lots. The second lot is now being split from this home and is for sale separately.
- Color. The use of color throughout the house is so artfully done. This is not sterile mid-century modern — the finishes are playful… to say this word again: Heartwarming.
- Unpretentious materials. The finishes in the house are not high end expensive, not financially out of reach. The Martins chose tile and plain wood and dropped ceilings, even. Many of the ideas in this house would be relatively easy to replicate today — relatively inexpensively.
- Patina. The house clearly was well loved — and well used. We love this! We suspect that the final photo-processing makes some areas look grayer than they likely are in real life. Even so, it seems clear that many of the surfaces are indeed worn. Okay. But please, new buyers: Restore these finishes, spiff them up a little, maybe. But don’t rip them out, Please!
- The views, and the outdoor orientation. Oh my goodness. Those views! Clearly, Albert Martin designed the house to take best advantage of the home’s hillside plot and the views to the Silver Lake reservoir. Can you even begin to imagine what this all must have looked like in 1954??? (We have few photos, below, to hint.) Los Angeles … all of Southern California… was a paradise then! Not so crowded as today, alas.
- And the story — which explains why this house… this home… appears to literally vibrate with love. Neil Martin told Pam that this was the house he came home to from the hospital. Pam spoke to Neil by phone earlier this week, and reports:
His parents, Neil told me, were both students at Cooper Union in New York in the late 1940s. They married, and his father went to architecture school at University of Pennsylvania. After that, the couple moved to California, where Albert landed his first job in commercial architecture.
Soon thereafter, they bought this lot, Albert designed the house, and he and Gloria got started building it. “It’s even better than that,” Neil told me. His parents not only worked as their own contractors, but they personally built much of the house themselves. Family stories tell of Albert and Gloria putting up beams together. “My mother is holding the beam, while my dad is attaching it. ‘Don’t drop it,’ he says. ‘I’m not going to drop it,’ she says. ‘Don’t drop it,’ he says. ‘Hurry up, I’m getting tired,’ she says….” They survived the beams and went on to raise three children in the house. The bedroom with the rickie tickie stickies belonged to his sister, Neil confirms.
As far as he knows, Neil says, Albert and Gloria did all the interior finishing themselves. Obviously, they were talented creatives, and they brought each surface to life. They built the kitchen cabinets. Albert built a tambour-doored media center in the living room (shown above). Neil says it includes an entire stereo complex and drawers sized to hold reel-to-reel tapes.
Gloria chose the tile for the kitchen and bathrooms and did all the tiling work herself. An artist who over her lifetime worked with a variety of media, Gloria made the decorative tiles in the retaining wall leading to the garage (shown above.) At one point, there was a kiln in the garage, Neil said. Tidbit: Gloria Martin also carved heads and other works for the Pasadena Rose Bowl Parade, for 17 years. But, she was no old-dog-no-new-tricks: In recent years, she worked on the computer to create art. I love this couple! Love them!
Gloria was a teacher, too. She taught sculpture to the blind at the Braille Institute right up until her death at age 85 last year, Neil said. Over the years, Gloria’s art filled the house. It still does. Even so, Neil says that the family has removed even more. They will sell the remaining artwork and furniture after the house is sold.
Albert P. Martin died in 2012, a year before Gloria. He was 88.
Neil says that his parents’s DIY drive came from the fact that they were “depression-era folks, who had no debt. They paid cash for the lot.” Yes, such were the values of so many people building these homes after the war. <3
A bit more on Albert Martin: As an architect, Martin focused on commercial buildings, not single-owner homes.
For the first 15 years of his career, he worked for Daniel, Mann, Johnson and Mendenhall, Architects, as a project architect, then a project director A famed project during this period was the Marina City Club in Marina Del Rey, Neil said.
Then, Albert Martin started his own firm, ArchiSystems International. Famous commissions included Loews Santa Monica Beach Hotel, Hyatt Regency Long Beach, and high rise residential properties such as Barrington Towers in west Los Angeles, Neil said.
I asked Neil what it was like growing up in such a house. He quickly replied, “It was normal.” A moment later, “I grew up thinking everyone had a view.” He said he spent his childhood on his bicycle, riding all around Silver Lake. “It was a bummer to ride your bike up the hill,” he said.
I also asked Neil for his opinion on the house’s most notable features. He points first to the nifty engineering. The house was built “on steel beams with 4′ square verticals”, he said, so there are no load-bearing walls. This meant that his parents could completely finish the top top floor — the living space — first, and move in. They finished the bottom level later, over time as they had the money. Next, he points to the plumbing system, which he says is all grouped into one 12′ square area that is accessible from the lower level. And, he made sure we noticed the stereo complex that his father built in the living room.
What does he think of all the attention to the house now, I ask?
“For a long time, this house would not have been considered anything special. In the mid-70s…. just another old house.” The attention now, “It’s kind of neat,” he said. But a “challenging thing,” too, he added, to have to clear out his parents’ lifetimes’ worth of accumulation. What to do with the thousands of family photos? This is something we all must face!
A look at some of our favorite features in this time capsule house:
Above: Another intriguing aspect of this space is the ceiling. Look at all of the light, line, shape and texture going on up there — not just on the ceiling — but also in the globe light fixtures. Realtor Brian Ades told us that an expert who viewed the house said there were numerous features that came from the world of commercial architecture. We’re guessing that lighted ceiling is one such feature.
Above: The working space half of the kitchen ceiling is a mix of box light fixtures and acoustic ceiling tile with a small round hole pattern. Again, it seems relatively easy to see the influence of commercial architecture on this decision.
Above: Looking at this art studio photo again, you can see the tile from the fireplace planter repeated on the window sills. Clever sliding cabinets made of pegboard mirror the kitchen cabinets. Another fun feature to note, it looks like the window sill continues into the adjoining room, forming a small passageway that provides unobstructed views, and likely additional ventilation.
Mega thanks to Neil Martin, for telling us about the history of this wonderful house, and thank to you and Brian for sharing the historic photos. Thanks to Sotheby’s realtor Brian Ades for allowing us to feature this property and for being such an enthusiastic help — and good shepherd of the mid mod! In his most recent update to us just yesterday, Brian said that more than 400 people came through the house in the first 72 hours it was on the market — there were two open houses. Visitors architectural buffs and buyers from as far north as Mill Valley, he said. And, thanks to Wasim Muklashy of Shooting LA Photography for supplying us with such gorgeous photography.